History of art and design
วันเสาร์ที่ 3 สิงหาคม พ.ศ. 2556
วันศุกร์ที่ 2 สิงหาคม พ.ศ. 2556
Industrial Revolution Clothing
The Age of Industrial Revolution Clothes Analysis by Using
3 Principle of Design
The age of Industrial
Revolution is the age that technologies were getting wide spread. So was the
knowledge, books were cheaper, so poor can study people gain knowledge, that
makes many parts of society began to change in the 1800s as machine-led
industries became widespread. Economies, lifestyles and work place clothing
were revolutionized during this period. The ways of making textiles, the tools
for sewing clothes and even the purpose of clothing were all new. People began
to increase their interested in clothing more. The way of making cloth changed,
they make cloth by using machine which is nowadays is called sewing machine.
Make cloth by using pattern. This age, clothing was much developed. This essay
will analyze clothing of Industrial Revolution age by using 3 principles of
design; which are material, contrast, and repetition.
First is material, as the
technologies are much developed, makes material developed too. During the time, textile
industries were expanded. Therefore, the quality of clothes was rapidly
developed. At the same time, there was a marked expansion in the production of
the raw materials, especially the wool from merino sheep. It was developed in
Europe and was introduced into the America and Australia. Materials this age were light in weight and color;
organdy, unbleached batiste, barege, and embroidered muslin were the favorites,
but with the influence of the romantic and the return to mediaeval fashions,
materials became heavier, such as velvet, damask, and brocades and variegated
silks.
Second is contrast. Compare
this age clothing and the period before which is Renaissance, people this age
care about dressing more. People began to dress differently in different time.
They have travel dress which is not a dress that long to the ground but a
shorter skirt that comfortable to walk with. Also that kind of costume was for
riding horse too. They have evening costume, which has more decoration. This
time as the fact that costume were made of machine and material also made of
machine, make the material is cheaper, enabling poor people to wear work clothes
instead of rags and the middle class to indulge itself with fashion. The rich
were no longer content with mere quality; the beauty and ornamentation of
clothing became more extravagant. As lace was easily fabricated, it became more
common as well.
Last is repetition. We will talk about repetition in woman
costume. The repetition of the layer of fabric as you can see in the picture.
That time, fashion is interest in woman that has hourglass body shape. The
dress this period, the way of adding layer to the skirt is very popular.
วันอาทิตย์ที่ 28 กรกฎาคม พ.ศ. 2556
Baroque Clothing
Baroque clothes analysis by using 3 principles of design
Baroque
is a period in the history of Western arts roughly coinciding with the 17th
century. It is a style that easily interpreted detail to produce drama,
tension, exuberance, and grandeur in sculpture, painting, literature, dance,
and music. As the period before is Renaissance, it is the period that education
is for everybody, not just for the high-class people. This period, people began
to be able to read more and interesting in art and culture; these interest
makes people care about their looks, which make fashion magazine exist for
people to know the latest trend and fashion. This essay will analyze Baroque
cloth using 3 principles of design; which are material, comparison, and
repetition.
First is
material. As an import, cotton was banned during the
Baroque period to protect the integrity of the European textile market. Without
cotton, the undergarments used linen, although linen was not considered fine
enough for outerwear. The outer garments were made from silks, brocades and
velvets instead. And another kind of garments was made predominately from wool.
Floral and stripes pattern were very popular is this period.
Second
is comparison. In this period, the upper class’s undergarment was made from
silks, brocades and velvets and their outer garment was made from silks,
brocades and velvets. Lower-class undergarments were made predominately from
wool and outer garments made of wool. About colors of cloth, the upper class
wore pastels and bright colors. In the early Baroque period, the upper class
preferred large floral patterns, but later, the upper class used small
scrolling floral patterns and stripes. The middle class wore dark colors and
black as a means of showing their wealth. Dying these colors was more difficult
and thus more expensive. The poor wore light, dingy shades because they could
not afford dyes that would give a pure color. The upper class fashion is lots of
layer and decoration. For women, their skirts were layered as many as eight
petticoats. For men, their costume was decorated with as many as 600 bows. Both
men and women that are wealthy wore their natural hair long and wore
elaborately curled wigs in public. The lower class wore
fashions that depended on their occupation. Women who worked directly for the middle
class or upper class wore a small ruff, a linen chemise and a wool skirt and
apron. Those who worked in the cities or the fields and had little or no
contact with the upper class would have had very plain woolen attire, like the
fashions of previous generations in their caste.
Third is repetition. The repetition of
Baroque costume is curviness of women costume. So does the curviness of the
down shoulders collar and curviness of the waistline is repeating each other.
The curviness of shoulders is repeating curviness of skirt. And the curls of
hair from wig are repeating each other.
Renaissance Clothing
Renaissance clothes analysis by using 3 principles of design
Renaissance is the period that
education is for everyone. People pay attention to studying and so does
fashion. This is the period that could be say that excessiveness in all areas
of costume began. According to Scott R. Robinson site, regardless of the
England and France followed Italy’s lead while they stuck to more medieval
influenced styles. Germans went to the greatest extremes making “improvements”
on the natural silhouette. They put large puffs at the head, shoulders, thighs;
small puffs, like boils, over chest, back, arms, legs and fee. They put
feathers on their costume, their cloth. This essay will analyze Renaissance
clothes using 3 principles of design, which are material, comparison, and
proportion.
First is material, the material of Renaissance
are wool, fur, silk, cotton, satin, and flannels. And for accessory, this
period jewelry is available although gold and silver. Another accessory is wig,
which is crafted from peasant’s hair, is been used. Color of fabric this period
is very strong for example red blue or black. White linen was another accent
against color of gold and burgundy of collars and wrist ruffles. Black velvet
was a staple fabric of the period, especially in headdresses. Mostly people the
period are dressed in dark hot tone. And they put silver of gold color of
thread to add pattern. And off course fabric that has pattern on itself is
quiet popular too.
Second is comparison. Fashion
represented a big status symbol during the Renaissance. The wealthy were
literally “wearing their wealth” as the expensive clothing helped establish a
reputation of wealth for the owner. It was usually the wealthy or ruling class
that drove Renaissance fashion. However, one very popular fashion trend, the
technique of slashing was originated within the lower classes or commoners. The
beret was also invented during these times. They were highly decorated by
either jewels or embroidery. And fabric are separated the rich and poor too.
The upper class reserved silk for themselves, and in some areas, peasants were
forbidden to possess it. Wealthy will wear furs, elaborate belts, and wigs.
Third is proportion, Renaissance
clothes. For men, their upper body is usually decorated with lots of thing,
many layers of fabric. And lower body they wore only thin tight trouser. The
proportion of the outfit is like upside down triangle. For women their upper
body is decorated with lots of thing and many layers of fabric as men, lower
body is puffy long skirt, Their waist is strap with belt. Proportion of women
cloth is like hourglass
วันพุธที่ 24 กรกฎาคม พ.ศ. 2556
วันพุธที่ 17 กรกฎาคม พ.ศ. 2556
Roman clothing
Roman clothes analysis by
using 3 principles of design
Roman period is the period that
comes after Greek and the time not very far, so their culture is not much
different from each other. Roman and Greek were worshipping same God. Roman also
admired Greek art. The inspirations of most things are from Greek, same as
cloth, their clothes have just a little bit of details that different. This
essay will analyze Roman clothes using 3 principles of design, which are
material, compare and contrast, and balance.
First is material, the material of
Roman cloth and Greek is the same. They use natural resources and raw material,
which are animal skin, wools, linen, cotton, and silk. They also usually not
dye their cloth either and use thread to create geometric form for example,
lines instead.
Second is compare and contrast. In this
period, woman and men both wear long garment. Roman men wear toga instead of
Greek himation (large semicircle of cloth), so it add more layer than the
toga. Himation is wear with rectangular or semicircular cloak. The cloak can
wear in two different ways; it can pin on the right shoulders or join at the
front of the body. Wealthy men or the
warrior wear outerwear kind of like armor but made of animal skin or metal. Roman
women wore the ankle-length, pleated dress known as the Stola, which could have long sleeves
and fastened at the shoulder with the clasp known as a Fibula. But for the low rank woman
such as prostitute will wear Tuga instead. Also woman in this period enjoy
going out of their home, they create hairstyle and old woman and young woman is
not wearing the same hairstyle.
Third is balance, Roman clothes
are almost one shoulder. And the clothes place upon another shoulder then lean
down on in one side of body, so the cloth is not really balancing because one
shoulder almost free and another shoulder has many layers of clothes.
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